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Marty Haythorn:

Artist, Educator, Mentor, Administrator

Marty Haythorn is a contemporary artist, sculptor, ethnographic artist, and art educator.

His heritage is both Native American and European. His interest in Native American pottery began as a child when his family traveled throughout the Southwest. He met Maria Martinez and other exceptional Native American potters and began a lifelong passion for pottery-making.

 

He has produced and taught pottery for over 35 years. During the mid-70’s, he worked closely with ethnographic artist Ivan Gundrum for four years producing museum-quality reproductions of Southeastern Pre-Columbian pottery. In the early 90’s he began experimenting with indigenous clays, pit-firing and stone burnishing. He now designs and produces original pieces in the Southeastern tradition and continues to expand the collection of reproductions begun by Ivan Gundrum.

 

Marty has a degree in Arts Administration and has worked as a Supervisory Arts Specialist, a Recreation Therapist and a Children’s Program Coordinator in an Alcohol and Drug Treatment Center. He is the founder and principle artist of Ancient Hands. Today, Marty's work is exhibited internationally.

Personal Awards 

2005 Tifton Love Affair Art Show "2nd Place"

2004 Valdosta Spring Into Art Show "3rd Place"

2004 Tifton Love Affair Art Show "Best of Show"

2003 Valdosta Spring Into Art Show "1st Place"

2003 Valdosta Spring Into Art Show "Merit Award"

2002 Pelham Wildlife Art Show "Best of Show"

2002 Saint Petersburg Spirit of America Art Show "3rd Place"

2001 Homosassa Springs Arts & Crafts Festival "1st Place"

2001 Cocoa Beach Art Festival "2nd Place"

2001 Chambers Native American Festival "2nd Place"

2001 Ridge Manor Native American Festival  "2nd Place"

 

My work is exhibited in over 40 galleries & museums throughout the United States and abroad, including some of the top 100 galleries in the country. My Pieces have also been featured on episodes of Burn Notice

Artist Philosophy

It is not possible to adequately describe human nature without discussing art. The creative impulse that allows us to interpret the world we experience and to express our beliefs about that experience is at the very core of our soul.

I’ve been drawn to pottery for as long as I can remember. Making things out of clay is not a hobby or avocation for me.

It’s more of a calling or mission.

The Southeastern Native American pottery tradition has been the foundation of my work. America’s First People were artists. Long before the arrival of Europeans they created exceptional works of art from stone, clay, gourds, shell, antler, fibers and other natural materials. They felt a deep sense of reverence for and connection with not only the visible, material world, but also a spiritual world as well. For them, all of creation was sacred. This was expressed and reflected in the artwork they created.

 

Native American cultural heritage is important not only to Native Americans, but to all people of this planet. In understanding and appreciating their artwork we are given a glimpse of the heart and soul of humanity. We see ourselves in a new light and we are reminded of deeper truths about who we are.

 

As an artist, my highest aspiration is to seek these deeper truths and hope that my work shines an ever so faint light on who we are and on our purpose for being.
 

Native American Influence

         Marty’s interest in Native American pottery began when he was a child. His family traveled throughout the southwest, visiting many reservations and archaeological sites. During these visits Marty met accomplished artisans, including Maria Martinez, and watched them create beautiful works of art. After one of these trips, his mother showed him how to dig clay from the banks of a river and form small bowls. These early experiences gave him a lifelong passion for pottery. 

         In his late teens, Marty learned that his great-great grandmother was Native American from South Carolina. During the time of forced relocation, her family chose to assimilate into the white culture rather than leave the land of their ancestors. 

With respect and honor for this heritage, Marty now re-creates many of the most significant artifacts from the Southeast, often creating complete works from shards and fragments of vessels. He uses many of the traditional production techniques and tools. This work has taught him that art is a sacred language, capable of exploring and expressing our deepest values, and honoring our history and culture.  It has been the foundation for his contemporary ceramic art. 

         Marty believes that using art to bridge the gap between the past and present, between different cultures, between man and nature, and between the conscious and unconscious is an important mission of the artist.  

Publications

Magical Deserts

Morocco

4/11-5/12

$600

Exotic Urbanism

Brazil

4/11-5/12

$600

Misty Mountains

Scotland

4/11-5/12

$600

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